At least I think not. I haven't done many show reviews, but often disclaimers skew the opinion of readers, or set up a false expectation in any direction, so perhaps it is best if we just start from scratch by saying that this weekend was a Nightlight weekend.
Friday May 25th -

Little Howlin Wolf
Kohoutek
Boyzone
This night had a playful air of frivolity and mystery, imbued in the fragile attendance and easy space. Boyzone opened, (me, Ryan, Galen Line-up with Lauren Ford on the Tights welcome back from Argentina) and it had a subliminal air, a deeply familiar Boyzone feel which often tags shows which seem to be thrown as afterthoughts. The music was brief, dull, throbbing sex glisten - homeless cats can do no better at any other club at town, so it goes without saying that Nightlight throbs like no other bulge. Agonizing squeals and deliberate bashing of the electric board by Galen brought about a thoroughly testy moment, which lacked only in deep bass notes. Histrionics ensued in classic style, including a skylight monkey stunt by yours truly and alien suit spider man costume stilo by Ms. Ford.
So ended Boyzone, venue relatively unaffected and band fairly satisfied, leaving Kohoutek to begin what seemed to be a deliberate exercise of tension building anticipation for a moment when one figured they would break into the most agonizingly groovy slash'n'burn. Twangy no, but the guitars had a certain definition and pronouncement of tone that belied an underlying country. United States, I guess.
Anyway, the buildup was not for an intense groove or some kind of funky breakaway, ala jams of olde. Rather, Wolf (Little Howlin Wolf - Wolf for short - James Pobeiga - Sweet Jimmy) emerged from behind one of our proud speakers. Well, the speaker did naught to hide him.
He emerged wielding two saxophones like giant submarine sandwiches. He walked casually but intently to the head of the stage, in front of the band, turned back to the crowd, paused but for one second, and then whirled to enter into a simul-sax blast that had
Roland Kirk written all over it. The sax blasts were loud enough to blart fart all round, unlike fog horns they more megaphoned over the Kohoutek jam, and then the individual sax blurts and scales, diddles, added a certain whiff of life that was a little gone during the hornless jam. All told the psyche medley was but only a precursor and segue between the pointless monochrome of Boyzone to the jaw-aching entertainment of Wolf.
With help from two enterprising young lads, Wolf set up behind a bass drum, high-hat, with a guitar resting on the lap and a harmonica perched on the chin, ready for a set of free-form blues, comedy, and a serious stream of wisdom subconciousness. Wolf truly does spout out some mind-blowing observations, and has a way of making the misogynist, or unpatriotic, or blathering, into a statement of down-to-earth pavement love. The burst of guitar flowed between twangs and chords, letting a musical story evolve that spoke of the blues, but also spoke of an influence that was only Wolf. I mean to say simply that the man has a style that (although perhaps I posit this observation only because of pre-informed leanings) seems to be gained only through playing what plays well in his mind. Like he just took a guitar and spent enough time strumming on it to develop a cadre of expressions that complement the deep, deep gravely echoes of Chicago, of cold, of finger-tip push-ups and bull hearts ripped right out with bare hands. I'm saying the man has stories to tell that make you question things like fat people, Islam, 9/11, music, the blues, beer, lips, and so much more that can be told.
Turns out, you have to tell him to stop playing or he could literally go on for hours, which perhaps is part of the point. When you play in the street for money, you learn that playing is the only way to make the money. I can't stand a beggar, but I love a saxaphone, so therein lies the trick - entertain me fool, my money is earned, your money shall be earned too, at least if you're asking me. What use is a beggar without a trick, without an original story, without an axe or a horn or a band strapped to her arms and legs.
I'm tired of the same old story - my mom lives in Fayetteville, I'm just trying to get bus fare, she has cancer, I have cancer, my leg is broken. All these things may be true, yes, but then again, they could be crack lies. So what can you do to set yourself apart, to earn the money of the passing consumers, the consumers of urbanity who throw silver into empty instrument cases like so many empty cups in the gutter? Learn to express what is most likely true - you have the blues and it's not my fault. Perhaps my jaded attitude towards the poor could be misinterpreted as not caring, but to the contrary, I feel deeply. However, I have grown to disbelieve in the worth of throwing money here and there to the passers by and the sly looking beggars.
Wolf knows this, and he has had more than enough time to see some shit, think about it, and learn how to entertain. I mean, my face starting hurting cuz I kept smiling so much. He's a real hoot, and a real challenge. A challenge to your notion of where conversation starts and then, where does it go. The typical hi how are you isn't sufficient when Wolf approaches. Rather, an open-mind and a willingness to say the last thing that comes to mind first will help you with a take-away that is at once liberating and at the same moment bewildering.
And his set was the same way. When he wasn't drinking, sighing, giving a Bronx cheer approval, deriding those whose attention spans couldn't last the veritable hour plus that he played, well, he was doing something that stuck like glue to the right brain. As the set went on, and we neglected to tell him to stop (Realy for Death could have played after all), he begin breaking into some seemingly unprepared improv, lightly tapping high-hat, errantly banging the bass drum, and just strumming and picking all over the neck of the guitar, sounding better than the Godz.
Wolf came and saw our little joint, guess he had a good time. Seems like he mostly has a good time, but maybe not, because then how do you get the blues so good? The gibberish was beautiful, and I think I actually understood it. It was nonsense to be sure, but spouted with such practice and intent that it really took on a greater quality of language.
I had heard the recordings, or at least
the first collection of 45s that Carly put out on Heresee. But Wolf recorded those himself, providing all the instrumentation, and I guess he had a four-track. Although some of those versions, like Stranger Mon or Sunny Come Early have a live feel with no overdub or track manipulation, so I guess I sorta had a sense of what to expect at Der Lieber Nacht. But really, I didn't have a clue, cuz I didn't realize that Wolf was part Eddie Murphy and part Lenny Bruce, part Americana, part Immigrana and I guess all Wolf. You can pick out these little elements here and there that remind you of some other classic artist - some say Ayler, I say Godz and Abner Jay, others same Abner Jay too, or outsider (which is a term I don't quite get or agree with, but may roll with). All the same to me, because it is actually really real.
Jesse said it about halfway through - tear the arms off that motherfucker. I bet Wolf probably could, because he's a big guy, but he's also the Little Howlin Wolf. Either little because behind the sunglasses he wore there are little eyes, little eyes that say a lot about living on the hind legs of a streetlamp. Taking the sunglasses off left a pitch black room, so sayeth the Wolf. I believe him.
Running out of steam, can't do the Raccoo-oo-oon review, except to say that the three piece after Sean peaced out was awesome, fierce like Acid Mothers Temple. I wanted them to play it again, but backwards. Feral Ponies Rainbow Muck Parade was everything I wanted it to be.
Cory Rayborn left too early, that's what I say. But then again, what reason does a dude like that have to stay around and listen to some band full of local yokels that he's never heard of with a silly name like Feral Ponies Rainbow Muck Parade? I don't know, you tell me. I just wanna have fun.